Change

Photo by Lina Kivaka on Pexels.com

There couldn’t be
a better backdrop for change
than one which inexorably turns gold,
red,
and fades away.

Change is good and
change is hard.

Change
is
inevitable.

It is the hardest thing to see ourselves
bare
when the leaves fall away,
and we are left to assess our own growth,
all our knots
and all our bark, peeling.

It is the hardest thing
to acknowledge our own vulnerability.

Will we still be here come spring?

Or will we simply learn
to see the forest
for the trees.

life’s horse

whitesheet
Click here for image source.

I can’t say that I want to grab life by the horns.
I think I would rather watch it come together
with time like the soft creases of a baby’s smile.

I would rather lay life out like a sheet,
smoothing the wrinkles with my palms
and tugging here and there to make it fit.

I don’t care to iron first.

~

I want to watch a plastic beach ball rise and fall in the waves,
being carried here and there, appearing not to move
until some hours later when only a speck is visible in the distance.

I just want to see what will happen if I let go of the reins.

Do I believe that life’s horse will find its way home?

Navroz Mubarak (2015)

Shoots of wheat. Image sourced from http://en.wikipedia.org/wiki/Wheatgrass.
Shoots of wheat. Image sourced from http://en.wikipedia.org/wiki/Wheatgrass.

These days our eyes have opened to another sun,
quite further and beyond the one
that dapples everything with gold these evenings.

For the first time in our lives we yearn to cry,

navroz mubarak!

not for what has happened with us
but for what we hope will happen to you as well.

~

The day is here, and this time, springtime clichés are no longer.
Some seeds have grown up on their own into meaning.

How to describe this blessing?

Closing our eyes becomes the same as opening them;
this light continues beyond sight.

We are truly one this time, angelic in the abounding clarity
which at once we can see, and not see.

In our blessed gathering we are as light as we have ever been,
our true selves merging, one another with the rest.

~

Navroz (or Nowruz) is a festival celebrated around the world to commemorate the beginning of a new year and the first day of spring.

To learn more about Navroz, visit Wikipedia.org and/or TheIsmaili.org.

To read “navroz (2014)” on this blog, click here.

on patience and potential

Monarch butterfly. Image source: http://www.inquisitr.com/388618/southwest-airlines-flies-late-blooming-monarch-butterfly-to-texas/
Monarch butterfly. Image source: http://www.inquisitr.com/388618/southwest-airlines-flies-late-blooming-monarch-butterfly-to-texas/

Said the lover to the beloved, who was consumed by fear of stagnating, of not fulfilling her potential, of wasting her precious time in life:

Look around you!  
 
The apple could not have been picked sooner. The cocoon could not have opened earlier. But neither is sitting still, doing nothing. Both need time to grow.
 
You are the apple of my eye
and the butterfly of my heart. 
I cannot wait until you feel for yourself the wings you are going to grow, 
and see how beautiful you are.
~
At times, we may come to feel trapped within the paths we once chose, or that were chosen for us. We may come to feel that we are idly allowing the mystery, beauty and potential life offers, to pass us by.
This piece takes some words of wisdom that we have all been fortunate to receive at some point in our lives, and adapts them into a brief story.

presence / presentation

Image source: http://www.polyvore.com/ballet_dancer_silhouette_17_24h/thing?id=66665898
Image source: http://www.polyvore.com/ballet_dancer_silhouette_17_24h/thing?id=66665898

At times it becomes apparent to me,
that I occupy quite a lot of space.

I may start out of medium size,
with longish limbs and a short torso,
and a tendency to keep these wrapped up around each other.

But if you ask me to speak, to say, to perform,
then slowly, I begin to unfold,
one gesture at a time, into a circling kind of dance;
my range of movement evolving into one higher.

Slowly, I start to take up more space,
my limbs, stretching,
my hands, talking,
my posture, lengthening,
my eyes, brightening,
my voice, burgeoning.

I start to feel what I am saying,
I start to become those words.
I start to live these concepts I describe;
I see myself unfolding as a story told.

Tell me, when I unfold this way,
do you see me; do you feel my enhanced frame?

Does my size make you want to unfold too, to join me,
or do I make you want to shrink back into your space?

~

What kind of presence do you have, and how does that presence become enhanced when you are doing things you enjoy?

Do you ever feel that someone is “in your space”, or that you need more space in order to really be you?

Do you worry that your presence could unintentionally encroach on that of others, preventing them from fully expressing themselves?

eulogy

when i think of her, i remember that:

my happiness, was her happiness

that she never wanted to stagnate,
but she tried not to control things too much

when inspiration came, she flowed with it,
and allowed it to flow into her

and when it didn’t appear,
she didn’t worry about chasing it

she tried her best to have faith in the little things,
and the big,

and to remember that her life,
was not the end.

~

How often do we think about how we want to be remembered once we are gone? What kind of people do we aspire to be, and who are we, when all is said and done? This is an unedited response to a “create your eulogy” exercise that I was fortunate enough to participate in, presented by a colleague and friend.

dissolving further all the time (2014)

Somewhere along Balmy Beach, Toronto, ON.  © Saara Punjani 2013.
Somewhere along Balmy Beach, Toronto, ON.
© Saara Punjani 2013.

each time we turned
to rise above this illusion of the finite,
we were met with a ceiling – not yet, not yet

we made steady ablutions
and we kept a hopeful heart
and still, we were not crowned to go on

~

a kite without a string
would be blown every which way on the ground;

a kite with a string
rises high in finite direction

yet, without the string
we could not have come
as far as we already have

how far must we rise before the string can be cut;
before we are unbound from the direction of our path?

how far must we rise before we are taken into the skies,
mere specks, dissolving further all the time?

~

on this day, listen, to the quiet,
as clearly, some things are being said

whether we move,
upward,
inward,
outward or forward,
we cannot begin to say

the tides pull us away,
that we forget you;

the tides push us so far
that we fall right in

here we have always been, unmoving in the movement,
immersed in the truth of your most impressive signs

let us dig deeper, look farther, stay awake longer;
let us continue searching for you

let us be so obviously engrossed,
mere specks, dissolving further all the time

the crispness of this season (2014)

Autumn, somewhere near Mont-Tremblant, QC.  © Asif Virani, 2014.
Autumn, somewhere near Mont-Tremblant, QC.
© Asif Virani, 2014.

the crispness of this season
asks to know both who we were
and who we are

~

the maple, the oak, watch over themselves with silent grace
as the leaves they laboured to produce,
and that kept them alive,
dry out and fall steadily away

 

what remains of our victories and defeats,
of our convictions and our epiphanies?

we have been able to keep nothing
material from our endeavours

 

who can say whether we leave the past
or if it leaves us;

whether we ourselves walked paths
or if they grew up beneath our feet?

 

we have had nothing
and nothing has been ours

and yet, we are not who we remember.

what we know about ourselves (2014)

Raindrops on window pane. © Saara Punjani 2014.
Raindrops on window pane. © Saara Punjani 2014.

we love only that which is our own

a man, with his wife and son:
who do you think he truly loves?

~

it rains and rains

you approach, drenched and desolate,
a shelter for me, if only i would accept you

~

i wish we could say,
we are always happy with what we know about ourselves

i wish we could say,
we come with noble intention,
that we have been saving our last loaf
for the hunger of another

i wish we could say
we fall to our knees and kiss the ground,
thankful each day
for the fact that we can feel

~

sometimes when it rains
a gray runs down our face too

and sometimes,
we wish we could deny that we enjoy it

else, why would we drink the drink of self,
that warming wine of separation?

why would we continue being what we are?

~

we are, men in all of our abasement;
men, in all of our greatness

we bend lower
so that others might be jealous of our righteousness

we paint peace on our face
that they might admire our beauty as we pray

~

when everything is gray
go ask for it to be better
for someone else;

what you would have happen to you,
have it happen to someone else

oh dearest, you’ve never really been
hungry; never really been sad

you’ve never really needed anything you didn’t already have

come, smooth over the wrinkles on someone else’s face

make them yours,

and love them too.

the colours of our progression (2014)

The colours of our progression, somewhere outside Montreal. © Saara Punjani 2014.
The colours of our progression, somewhere outside Montreal, QC. © Saara Punjani 2014.

they say time waits for no one

~

never has there been enough time
to cultivate a sense of fearlessness;

always too much time
to make idols of inspiration

we have remained too young
to say that we live our lives with any grace;
too old to say, this is the end of our allotment

~

after all the hands have been shaken,
all the pages turned, the bellies filled

after all the smiles are spent
and all the comforts acquired,

we sit by the window to watch the colours of our progression

~

some things live out their course
and pass on and away in the height of their glory

but some of us are always green

we wait our turn;
we wait, to turn,
to mature into our very own shade of sienna

~

they say, time waits for no one

but for some, it never comes at all

the fire that consumes us (2014)

 

Fire in grate. Copyright Saara Punjani 2014.
Fire in grate. © Saara Punjani 2014.

 

some things hurt us more than all the others

~

sometimes, time dredges up the pain of our old selves;
memories of poisons we’ve drunk and those we’ve made

the beauty of our face is made unpleasant by our re-livings;
the heart burns and sobs, a prisoner to the scorching coals inside

we must remain perfectly still
lest we further fuel the fire that consumes us

everything we see, we have seen before,
and before that,

and now it flickers in our eye once again.

the time of our rose (2014)

Pink roses. © Saara Punjani 2014.
Pink roses. © Saara Punjani 2014.

the time of our rose has passed us,
and we become more bitter by the day

reach out your hand and pluck us, love;
remove us from the misery of these days

~

this is not our season;
this place is not our stage

linger though we might,
we are so much less dazzling
though we recall how beautiful
we’ve once been

the blossom that grew us
from the seed of our names
robed us in a quality,
innate

have we been asleep,
or have we been afraid
to let go, to move on,
come what may?

there is no telling
what we will be
the moment after the one
where we are

what fruit may we bear,
if we trust in ourselves,
if we let ourselves be,
who we are?

~

our bitterness weighs
on the very branch that nurtured us,
and we wilt and we droop in our pain

our poison spreads

we see it,
but we don’t stop it,
and that makes us very afraid.

 

no longer (2014)

who can say what should be done?

~

no longer can i breathe without running,
no longer can i eat before moving,
no longer can i speak before listening

no longer can i do
before asking,

what if,
what if all i am furthering
is irrelevance?

~

have you come here to sit,
or have you come to work hard,
so that you may make something
from nothing at all?

~

play without work
makes only a stomach ache

and love without change,
a costly, boring painting!

i care not for the pleasures
unless
you first give me of pain.

what is winter (2014)

Winter, somewhere near Ottawa, Canada. © Saara Punjani 2013.
Winter, somewhere near Ottawa, Canada. © Saara Punjani 2013.

dearest,

has not spring followed every winter of your life?

your task is not to hurry along the new season,
but to grow your stores of patience
so that you may quietly weather the cold

 

in cycles you fall and rise
in cycles you pain and grow

 

what is winter if not the ultimate growing pain?

your task is not to despair in the receding light,
but to close your eyes in proportion
so that you may continue to remain in harmony

what is winter if not the ultimate preparation for change?

your task is not to cling to what once grew on you,
but to let what has served its purpose gracefully fall away
so that you may remain open to embrace new plantings

what is winter if not the ultimate opportunity for reflection?

your task is not to cry, not to blind yourself with the memory of what once was,
but to bravely face your bare reflection in frozen pools
so that you may know what you are at your core.

my heart is becoming blind (2014)

my heart is becoming blind,
but finding meaning in a way that was not open to it before

when the eyes were wide,
the fingers were dead; the world of raised letterforms,
unavailable

my heart is becoming deaf,
but finding meaning in a way that was not open to it before

when the ears were sensitive,
the eyes pre-conceived; the world of fresh signs,
overlooked

my heart is becoming mute,
but finding meaning in a way that was not open to it before

when the mouth ran on,
the ears grew stiff; the world of boundless harmony,
unheard

my heart is losing its mind,
but finding meaning in a way that it could only understand
after walking a new path
of learning
of knowing
of being

~

what sense is this?
which fingers grasp the idea of you?
which eyes are open for your light?

my heart grows an entire body around it
though one existed before

my heart causes an entire body to inflate
into the one the existed before

what pushes on the walls of my old self,
wanting out?

am i to burst, or am i to shed,
what was once dead,
what was once me?